Tuesday, December 13, 2005

Whiskey Hill Blues Band

It warms my heart to see young hotties, Palo Altans, no less, embrace blues over metal. Duf's son Eric is the drummer... could it be some secret enclave of Young Republicans? We'll soon see. I'll be singing with these talented musicians at the Blue Bonnet Sports Bar in Sunnyvale December 23 & 30. Check out their website , as the curser moves around their heads, they play their instruments!

Thursday, December 08, 2005

2005 In Music

Last year, around this time, I was writing extensively about the music of 2004. Although I wrote briefly about how awful the AMAs were this year, and was going to complain about the Billboards, which were even worse, frankly it's not even worth my time. This has been an unbelievably bad year for mainstream music.

After watching the labels finally offering fresh faces and sounds in the four years following the original Napster, this is a real disappointment. The link above is to the Grammy nominees where it looks like we're back in the 90's with 8 nods to Mariah. Other than her and the new black hope, Kanye West, and the vapid John Legend, they don't even have anyone to tout.

Rob Thomas and Eric Clapton came out with some good stuff this year. But really, who gives a flying shit? What have you brought to the party this year? Last year we had Green Day and Maroon Five, Franz Ferdinand & others breaking out with great rock music... much of it with real message and importance. This year, they are actually reaching back and nominating stuff that came out last year... it's ridiculous!

Kanye, Golddigger? Don't you know that sexism is even worse coming from black guys, who are supposed to know better about oppression? Why don't you just call it hodigger? Is no one loving you for yourself, you conceited shmuck? Your spiritual rap was so innovative, who the hell is in your ear now?

Gwen Stefani is on pretty much the same level except she's not putting anyone down, she just doesn't want her fly girls to hollaback to Kanye-like users of the world. As to the resurrection of Mimi, what the fuck did she resurrect? Her DOA career after Tommy Mottolla dropped her like the kiss of death, paying off her contract? Her meaningless amalgam of notes only dogs can hear?

It's all crap. The only bright spots this year were The Killers, Aqualung and maybe Natasha Beddingfield, and some of them didn't even get nominated. Am I mad? Hell yeah, can't you tell? Music was finally turning around. What's happening here? OK, here's what I think is happening. We saw the tail end of good mainstream music as the labels desperately searched for new sounds and well-developed bands ready for exploitation when they realized the landscape had changed and they would have to offer up something good.

That is becoming harder now. What has probably happened over the past four years is that the bands who would normally rise into those spots are probably seeking alternate (internet) distribution, wisely avoiding the labels. There will probably be a few years of adjustment when people find the channels which will lead them to the good stuff. The next Maroon 5 is probably winding its way up MySpace, CD Baby etc. and in the future those entities will have their own awards to point out the best of.

Monday, December 05, 2005

John Lennon

From the ridiculous to the sublime... one blast from the past last night leads to another this morning. Jann Wenner is releasing the unexpurgated text of his 1970 interview with John Lennon in advance of the 25th anniversary of his death. No death has ever come close to affecting me the way John Lennon's did. I remember the night he died more clearly than I remember yesterday.

I had not been a huge fan of John's. At the time I evaluated music on the basis of its sound, not by the stature of the performers. The Beatles were pretty pop sounding, Elvis sounded a bit simple and shmaltzy, Dylan whined etc. Now, the individuality and importance of these men in developing and shaping the sound of modern music, is more of a focus because I'm writing, not spinning records for a progressive radio station.

So, when my mom came in and told me she'd heard that "someone has been shot and they think it's John Lennon", I was unmoved. We'd just lost Keith Moon and the usual assortment of rock ODs, I was used to losing artists and I was in denial. The idea that John could be shot and there would be confusion over his identity was impossible. A few minutes later, I saw the TV screen that came on for special bulletins, we pause for a news flash.... I turned it off, thinking the radio might be safer.... it wasn't, and I'll never forget what came next.

It was Let It Be... and I knew. I basically just lost it, I ran into my parents' room in hysterics. Sometime later, I called my best friend Sue in NM and we just sat on the phone in silence for god only knows how long. There were no words. For probably ten years after his death, I cried every time I thought about John, which was often. He had come to New York, my hometown, for anonymity and safety. He fought hard for his green card. Nixon considered him a huge threat and did everything he could to keep him out of the country. Now Reagan was in office and John was gone, permanently. Conspiracy posters blanketed the city. Traveling in Europe the following summer, I learned not to reveal my identity as a New Yorker, the city that killed Lennon.

Why did I go from being a lukewarm fan at best to reacting with every fiber of being when he died? To understand that, you have to look at the life and death of John Lennon and the timing of his death. He'd had a pretty miserable childhood as the misunderstood genius who is the only person to appreciate who he is, and can't for the life of him, understand why the shmucks around him don't look to him and see the perspective and awareness he has.

He's abandoned by both mother and father. When he finally, at 16, is just about to reconnect with his mother Julia (of the song), she is run down by a truck. He attracts the top talent, forms the Beatles, and their sound is immediately appreciated. He does find the perfect partner in Paul, who tones down his edge to a place where it can be accepted. The American public at that time was a hotbed of repression and every bit of it was exorcised through its teenage girls who made every single Beatle performance into a full on scream fest.

This was echoed by Tom Wolfe in Electric Kool-Aid Acid Test who described the scene at their last concert as a frenzy of screaming such that there was no way to hear music. So, here is a serious band going to show after show after show and they see their own fans as, basically, complete assholes. With all the fame and money, they are trapped in a vacuum of backwards babies... still misunderstood. At the same time, despite the great music, there are jealousies and John and Paul (who came from a loving home) never really see eye to eye.

Finally, John does meet someone, an artist in her own right, that really does understand him. Slowly, slowly, she helps him exorcise his many demons. And I mean many demons. John admitted to hitting Cynthia, he made fun of the wheelchair bound fans who thought he could cure them... he was pretty messed up. But he changed his life and became the first househusband. Setting an example for men that would foster much social change, he finally finds happiness in the eyes of Sean. But, in the first five years of Sean's life, he doesn't touch the guitar.

One day Sean asks about the Beatles. John writes Woman, about his love for Yoko. He writes Beautiful Boy for his son. He records the songs for Double Fantasy. After 40 years, the most amazing artist of our time is ready to live his life. He is finally free and happy and creative. And then, in the blink of an eye, his life is over. His message is finished. We'll have no more of his music and perspective and comment. We'll have nothing but the tragic irony of his sad life to look to in figuring out what lesson we should take.

So, what should we learn from the life of John Lennon? The same one I try to exhibit in all my writing... live your life while you have it. I was listening to Barbara Sher the other day and she says she does not understand people who, at 40, say their life is half over. For the first twenty years you have to ask your mother to borrow the car, the second twenty, you're basically just working your brains out. At forty, you are just beginning to live. Your life isn't half over, your life is just starting.

The saddest ones, to me, aren't the ones who think it's half over at forty, it's the ones who think it's all over at forty. Just break out the granny sweater and wait for death.... But, really, if you've lived your life fully and deeply, the best stuff happens after forty. John was cut down right as he was, at long last, ready to reap the hard fought fruits of happiness. And this is why I cry, even today, in thinking about how much he gave us and how little time he got to appreciate his life here on earth.

All I can say is, if there's a rock and roll heaven, and there is.... you know they've got a hell of a band.

Thursday, December 01, 2005

Night Of The Living Dead

Ever feel like you were the hapless victim, ensnared in some dysfunctional family drama? The formerly Grateful Dead, which served as a surrogate, loving family for so many for so long, is now a cesspool of competing, greedy people fighting over a very lucrative….yes, brand.

The Deadheads are the most loyal group of fans, they know Jerry, or feel they do, they will be heard…. and, they were. Fan recorded concerts are now back in the Archive to be freely traded again. According to an outraged and saddened John Perry Barlow, it was the drummers. Mickey can’t even fucking keep time. His poor bass players just stand by helplessly as he slows down.

Jerry died intestate and married. The woman he was married to for the last few years of his life went after his guitars, his kids…. It was a nightmare. Now Phil can’t even go near Bob… The whole thing makes me want to cry. What was he too artistic and drugged out to foresee what would happen when he died?

It shows you how tenuous and shallow all that love became as the original dreams turned into a merchandising megalith. As long as Jerry was alive people adhered. As soon as he was gone, everyone scavenged for assets. Manasha, who loved him well, and their daughter ,Keelin, were left with little. Deborah, who lived with him last, owns almost everything the band couldn’t nail down. Mountain Girl and their girls also got relatively little.

Wow, the CBS morning show just carried this story, congrats, guys. Too bad you reported only that the band asked for the fan concerts to be taken down and the outraged fans threatened a boycott. The point here is, in the end, the boys got it together. The thankless morons relented, but, what a slap in the face.

Do you really think your formerly devoted fans are just going to forget this, as you guys bicker now about putting your stuff on iTunes.? Maybe we could understand you putting the soundboard recordings up for sale there, but why take down the fan recordings?! Too much competition for you? Hey, if your records don’t offer anything more than your fans, well, maybe you shouldn’t have set up separate recoding sections and took all that ticket money.

The band needs to consider the fact, and apparently did, that the brand was built up on the ideas of freedom from label tyranny. You were the one fucking alternative, the last hold out. This is what we loved about you guys. We built you. We made you millions upon millions, for increasing minions, and if you want that loyalty and ethos to continue don’t become the embodiment of the antithesis of the message you built up on…. OK?

This is one of the largest music libraries in the world. Certainly the largest devoted to a single band. For God’s sake, how many thousands of concerts did they play, how many recordings were made? Maybe I should look up that Capitol Theater Show I mentioned earlier, where I met Manasha. That would stir up some great memories. Turns out she did remember our meeting and even invited me to Keelin’s birthday party. Don’t even ask how we reconnected.

Let’s just say, when it comes to the Dead and their fans, all things are possible because we, the fans are what your fucking organization is all about and when bands and record companies and distributors and nine-figure executives finally get that…. we’ll finally see the dreams of music and community and personal creativity, that you stood for and truly believed in at one time, (I hope!) come true.
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